Tuesday 27 October 2015

Great British Bake Off week 1 - Cake

So it's the first week off the Great British Bake Off and I've crazily decided to bake everything that the contestants are faced with. I'm not baking along in time, because frankly I don't have the time, but I'm determined to tackle everything and I shall write about one of my bakes for each week of challenges.

First up is cake. As a totally novice baker, I'm glad they started with a simple madeira cake, as I managed this OK. It's got a nice crack (!) and it tasted pretty yummy too.


The technical challenge is walnut cake with a fancy boiled icing. The contestants all made edible versions of this, so I'm hoping it's not a disaster waiting to happen. Getting my ingredients ready I crack on with the sponge mix, adding the chopped walnuts to my dry ingredients. I'm lazy and don't sift the flour, which will probably haunt me when my cake is too dense. I'm still very much getting used to the necessity of precision in timing, quantity and technique to create a decent baked good. As a love of slapdash inventive cooking, I rarely care for specifics of recipes and tend to make it up as I go along. For a good fish pie, pasta dish or homemade curry this tends to work fine, and is something I've been doing for many years. The science of baking, however, is much newer to me, and the more I question where my bakes are going wrong, the more I appreciate the reasons for such controlled steps. Baking is science, guys, and science is cool. 


I will get a fancy kitchen mixer soon. I think it's time to admit that I'm becoming quite keen on baking, and whilst it's a good workout to always cream my butter / sugar mixes by hand, I'm coming to the point where I'm craving efficiency over traditional methods.


Despite the lack of superpowered mixing assistance, I'm still able to create a fairly light and fluffy mixture, to which I add 4 eggs for moisture and to bind the mixture together.


I tip in my dry ingredients and fold in with a metal spoon as per the instructions. I have a tendency to overmix my ingredients and remove all the air, so I try to restrain myself and leave one or two tiny pockets of flour in the hope that my cakes will rise beautifully and not resemble pancakes for once.

I split the mixture between 3 pans and bake for a little less time than instructed. I've learnt that the oven in my new house cooks faster than expected, so I'm finding myself reducing either the temperature or the cooking time for most things. I'm still discovering which is more effective, but the cakes this time look pretty good - they are golden and springy to touch and there's a lovely nutty aroma filling the kitchen.


The next step in the recipe is to make the caramelised walnuts, which quite a few of the contestants struggled with. It seems that there is very little water to dissolve the sugar, and in their keenness to avoid stirring the hot sugar syrup and crystalising the mixture, a few were left with hot sugar rather than any kind of caramel. With this in mind, I add the water to the sugar and stir it together to make a kind of sugar paste which I put on a low heat. As a fan of multitasking, I throw some butter and sugar in a bowl to move onto the next step, the buttercream filling. 


Luckily, buttercream is something that's pretty tricky to get wrong, in my humble opinion. Mixed once again with a wooden spoon, it's ready in no time to sandwich the sponge layers together with creamy vanilla deliciousness.


Keeping an eye on my sugar, I wait until it is bubbling and browned before carefully adding the 10 walnuts and swirling around to coat in the hot mixture, before tipping onto greaseproof paper to cool. The recipe calls for a silicone sheet which I don't have. Later, as I am carefully peeling / washing off the slightly torn baking parchment from my beautiful caramel walnuts, I realise why silicone would have been a better idea. A lesson for next time and another baking related item added to my shopping list. 


Last up is the boiled icing, which we discovered on the show tends to go grainy if the sugar is not first dissolved in water before mixing with the egg whites. I'm heating that sugar for what seems like forever over a pan of water before I give up and start whisking. I've got quite a creamy, white and glossy mixture that's only a tiny bit grainy so I soldier on and hope for the best. Now, the recipe states that the mixture should be whisked over a pan of hot water, and that one needs to work quickly to decorate the cake before the icing sets. Hindsight being a wonderful thing, I would do basically the opposite were I ever to attempt a boiled icing again. By whisking the mixture over hot water, this means it's still very warm when I come to add it to my cake, and the whole thing starts sliding off and dripping onto the counter. The small amount of icing I leave in the bowl seems to be less runny after a few minutes before it has cooled fully, and probably would have coated the cake better. I can tell that it's still going to be grainy, and I don't get to add any swirls as the recipe instructs because it's still so warm! Maybe it needed more mixing, maybe if I had more patience and had actually waited for the sugar to dissolve properly I would have had more success, who knows. All I know is that boiled icing is added to my list of baking dislikes, and isn't going to become my signature any time soon.


I add the caramelised walnuts and even a little sugarwork I sort of twisted into something resembling a decoration. Forgetting to leave the cake to cool means that the caramel started to melt a little, discolouring the icing overnight. This is why this cake is a technical challenge. There are technical elements, that I haven't quite mastered yet.


There are definite "lairs" in my cake, the walnuts are pretty well distributed, I've managed to decorate with the walnuts and the taste is fine. The sponge is a little dry and there's that infamous graininess to the icing, but overall I hope I wouldn't have come last for my first technical. I did have the full recipe and the experiences of the bakers to go by though, so perhaps a significant advantage.




Next up, I baked a black forest gateaux. With less silly technical elements, this one went pretty well. Here's a picture below.


Week 2 is biscuits, and it's only going to get tougher from here on in!

Walnut cake recipe here


Tuesday 6 October 2015

The Sword / Hang the Bastard @ The Underworld, Camden



On a Friday evening in September, during my busiest working week of the year, I couldn't be more excited that it's Friday. Partly because it means no work tomorrow, but mostly because I'm off up to the hive of activity that is Camden Town to see London metallers Hang The Bastard support stoner rockers The Sword, the latter of whom I've never had the chance to see before.

In a rare moment of good timekeeping, I actually arrive at the venue on time. Ordering a beer and allowing my eyes to adjust to the dimly lit underground space that is the Underworld, I prop up the bar for a few minutes until the speakers inform me that Hang The Bastard have taken to the stage. It's a sold out gig, so I'm quite surprised to see a lot of space still, but then I'm not used to being this early. I park myself next to a pillar with an actual view of the stage (a real rarity) and see what this London-based quartet have to offer. 

Opening with heavy, bluesy riffs the heads in the crowd soon start bobbing along. I'm a sucker for a half beat and a downtuned sound, and there's a lot of this being delivered tonight. There's buckets of energy on stage, and an awful lot of excellent beards everywhere. Frontman Tomas Hubbard screeches his goblin-esque vocals with an impressive ferocity, saving his vocal chords in between songs and turning around whilst the gaps are filled with abstract distortion and crackling feedback. I've seen HTB a few times and I'd say this is probably the most 'together' they've been. The massive doomy sludge riffs and big rhythms fill the space with a dirty, wonderful noise. By the end of their set the venue has filled up, and the capacity crowd seem ready for the headline act, suitably roused by Hang the Bastard's high energy, hard hitting performance. A band to watch out for if you like your metal veering towards death-style vocals and packing one hell of a punch.

The Sword open with the synth-electro Unicorn Farm from the new album, High Country. Following with Buzzards, also from the new release, they go on to mix old and new tracks together seamlessly into a cacophony of seventies influenced, beautifully balanced heavy rock. Tres Brujas from the band's third album Warp Riders follows the opening new tracks with meatier riffs and a togetherness that will stay for the rest of the evening.

The new material is arguably a return to a more classic rock sound, and has less of the heady, bassy stoner rock vibe of previous releases. This isn't to say it's lacking anything though. The 10 tracks performed tonight from the latest record display the characteristic polish and finesse that The Sword's fans have come to know and love. The solos are impressive without veering into self indulgence, the bass, synth and drums melding beautifully together to support John D. Cronise's retro vocals.

The older, heavier tracks get the best response from the crowd, with classics like The Horned Goddess, Freya and Maiden, Mother and Crone soaring over the now heaving crowd with Sabbath-esque style and doomier undertones. The set closes with one of my personal favourites, the epic Dying Earth from the 2012 release Apocryphon, followed by an encore of Suffer No Fools from the new album, and leaving us finally with Arrows In the Dark from Warp Riders. There's no grand exit, no stage antics. The Sword have come to the Underworld tonight to do what they do best, to play a lot of really good music.

In addition to the aforementioned downtuning and half beats displayed by Hang The Bastard, I also love a band who sound really tight live. There's something about technical brilliance and pinpoint rhythm that gets me screwing up my face into something resembling a contorted gargoyle. It's my own form of heartfelt appreciation. And tonight's set was chock full of technical brilliance and pinpoint rhythm. OK, so the Sword might not be the most charismatic band on the planet, but when they sound like this, I really don't care. This is straight up, Southern American rock at its finest.

http://www.hangthebastard.co.uk/
http://theswordofficial.com/

I still forgot to take any pictures though. Next time.